Our Process

Natural dyes can do far more than people assume. At our studio, we start with handloom fabrics woven by our artisans and push these dyes through every process they can handle colouring, shibori, painting, and even extracting prints directly from leaves and flowers. Nothing here is automated or predictable. Every metre of fabric is handled, dyed, clamped, stitched, dipped or pressed by hand. And because nature never repeats itself, the results stay unique.

Every piece begins as an unassuming fabric. No shortcuts. No pre-printed material.
We build the design layer by layer using shibori and tie-and-dye techniques the kind that require patience, precision, and a tolerance for unpredictability.

Here, indigo takes centre stage. It’s a dye that demands respect. You don’t “apply” indigo; you develop it through a living vat, dip by dip, letting oxidation create the deep blues it’s known for.
That means no two pieces will ever match, even if we try. And that’s the point.
Each garment is touched, shaped and transformed by human hands making it genuinely one of a kind, not “one of a kind” as a marketing line

Eco printing keeps us honest. We lay the leaves and flowers, build the bundle, steam it, and wait. And when we unwrap it, the result is always something we couldn’t have predicted.
Some days the colours are bold, some days they’re muted, and sometimes the leaves surprise us with shapes we didn’t see coming — but that unpredictability is the charm.
Every bundle is a small reveal, and every piece carries the real imprint of nature, not a graphic mimicry of it.